To an artist, flowers are not subject but sources of light, color, and shape.
If a curator were to dream up the perfect summer exhibition, it might look something like this: Impressionist paintings of gardens, covering the walls with soft-focus sunlight and flowers.
In 1910, after a distinguished career in the United States Army, Sterling Clark settled in Paris and began collecting works of art, an interest he inherited from his parents. When he married Francine Clary in 1919, she joined him in what quickly became a shared passion. Together they created a remarkable collection of paintings, silver, sculpture, porcelain, drawings, and prints with complete reliance on their own judgments and tastes.
The Sterling and Francine Clark Art Institute in Williamstown, MA, is working with Pritzker Prize–winning architect Tadao Ando and landscape architects Reed Hilderbrand Associates to design a campus plan that enhances the Institute's setting, expands the facilities for its public and academic programs, and reconfigures its galleries to broaden the ways in which visitors experience works of art. The expansion plan brings new unity to the campus, fully integrating the Clark's buildings with Stone Hill and the surrounding landscape.
I am by no means ready to die! So, with that fact established, let's begin at the beginning: See links for all the Genesis posts to date: Genesis Through My Eyes
In my not too distant past, if I were to see a street person, a bum, sleeping in a door front or on a park bench, I would have kept my distance and perhaps shrugged my shoulders.: He had the "smarts" to ask someone where to go, I didn't
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